sometimes i think of tanya
there at the typewriter
mending wendell’s words,
shepherding stray ideas
back toward the true voice
whose timbre has by now
been etched into her bones.
how does it feel to know
another voice as intimately
as your own; to hear the rise
of a sentence and predict
by instinct the exact timing
of the turn, the fall, the
unspooling to a full stop?
how does it feel to have
forgotten where it ends
and you begin?

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